vampire the masquerade available memory less than 15mb

Your name and a few sentences of backstory, plus three each of skills, possessions, and supporting characters. These are the things you create at the beginning of Thousand Year Old Vampire, an entire lifetime indexed as a list of traits. He also had skills and acquaintances: his status as a master archer, a premarital affair with Thisauria his betrothed, and a theological curiosity that sprang from his lover’s tendency toward Chalcedonian heresies. Qalidurut carried possessions that befit his status: his father’s bow - repaired so often that it had become a portable example of the Ship of Theseus - the signet of his royal lineage, and a Byzantine Bible thick with family marginalia. His life was demanding but sheltered, a military commander who saw no battles until the Muslim invasion of Makuria in 651, an archer who loosed no arrows in violence until he was tasked with defeating the army of Abdallah ibn Sa’d at a ford near the Nile village of Dongala.

Qalidurut II he was named, after his father and king. As such, I couldn’t resist the temptation of making my first character a member of the royal family of the Christian Kingdom of Makuria. Thanks to a previous review, I’ve been brushing up on the history of Christian Nubia.

Thousand Year Old Vampire is devastatingly therapeutic. And within, an academic’s trove of article clippings and telltale stains and artwork of a dozen styles, none of it detracting from the actual utility of explaining how you, the reader, will spend the next few hours sharing the story of a vampire in bloom and decay, love and ruin, tragedy and beauty.Īs for partaking of a solo role-playing game, pay no attention to my earlier reaction. With great restraint, in only a few spots, the spine exhibits dents and tears.

The cover’s golden debossing calls to mind pottery mended by kintsugi, but more veined, more branching, like rivulets of blood straining for shared warmth. The title and byline appear as though they’ve been shoddily glued into place, the description on the back secured with masking tape that’s peeling at the edges. If it weren’t so pristine, this thing could have passed for a tome stacked under a hundred years’ worth of library sediment.

The first chink in my armor was the book itself. When I heard that Tim Hutchings’ Thousand Year Old Vampire was a solo RPG, my response was pretty much, “Buddy, if I wanted to pretend to be somebody else when I’m all alone, that isn’t a game.

Vampire the masquerade available memory less than 15mb